City Hall (1986)

Harold Becker teams up with Al Pacino once again in this earnest depiction of moral character and human error. The pairing of Cusack and Pacino (as a fan of both) is a delight and their on-screen chemistry blends perfectly with the design of an inspirational role model and their admiring, aiding protégé. With a plot that appears simplistic, far more is churned out along the lines of ethics, including personal integrity and selfless devotion--the fabric that defines our actions. Exciting elements like the mafia and the hectic justice system combine for a saucy mixture. Pacino reels in a believable performance as an honest mayor that cares for the people of New York City. While Cusack's southern accent is an erratic peculiarity, he melts into his role and delivers a busy and relaxed performance. The result is very satisfying and devoid of any drawbacks. My only criticism would be the contrived introduction and epilogue, especially since the meat of the film quite reaches the destination by itself without superfluous narration.

True Grit (Coen Brothers, 2010)

True Grit is a captivating tale that blends flawed humanity with pure tenacity and thrives on portraying the wills that define men. Jeff Bridges gradually becomes likable, despite his character's flaws, and Matt Damon melts into his role as a Texas ranger. Perhaps the most tenacious and concentrated role belongs to Hailee Steinfeld, who does well with wordy dialogue, vulnerability and courage while maintaining a good heart as the most innocent character. Humor tags along like one of the many horses seen in this film and the landscape is colorful and breezy, authenticating the journey of these people as does adequate costume design. On the whole, it is a satisfying western that feels refreshingly rich in this day of age with a pleasant and uplifting musical score. Go back to the Wild West and enjoy creative dialogue, practical beliefs, awesome (as always in westerns) shootouts, strange but functional exchange between outlaws and marshals, solemn characters of good heart despite their errors, fulfilling resolution, and a sweet mixture of themes in this hit by the Coen Brothers.

Gladiator (Ridley Scott, 2000)

Ridley Scott helms this historical epic. Russell Crowe is a scorned war hero turned gladiator (obviously) and Joaquin Phoenix is a brooding, mousy and power-hungry Emperor. The action is pleasant at times, but I thought it would be on a higher scale. Obviously, there is a softer side to this portrait. But I can't say it was fully received. Pacing is slow and the climax comes and goes. There is a spiritual aspect, but, again, it fails to resonate before the credits roll. It is a different tale, but I doubt the film sought to stand out. It certainly wowed many eyes and won awards. But from my perspective, it was only above average, overlong without much flavor and burdened by simplicity.